On Midnight in Paris & Bridesmaids

Midnight in Paris

Nostalgia is denial . Denial of the painful present. The name for this denial is golden age thinking, the erroneous notion that a different time period is better than the one ones living in. It’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

When Paul lays bare the brutal truth, Gil(Owen Wilson) is yet to have hopped into the rabbit hole that takes him to Paris of the 1920s, his own wonderland. Gil, like most Woody Allen leads, is playing Woody Allen – his mouthpiece. And with this clearly in mind, you can’t help but chuckle when he says, “I am having trouble because I am a Hollywood hack who never gave real literature a shot“. But Gil is all for every kind of literature. The idea of transporting him to a 1920s Paris with F. Scott Fitzgerald, Ernest Hemingway, Picasso et al is like letting a kid into a ginormous play pen. The non-Paris world weariness that he constantly lives in vanishes as soon as he takes the carriage at midnight and as much as he is a misfit in that world(He sees insurmountable problem in “a man in love with a woman from a different era”), he flourishes because of his constant yearning for that fantasy.

But it’s Adriana, played with an infectious charm by Marion Cotillard who doubles up as the one who feeds Gil’s passion and also as the voice of his epiphany. She plays Pablo Picasso’s muse, possibly forgotten by the pages of history, who befriends Gil in his adventure as they are both drawn to each other. It’s through her that he realizes the issues with the present and the past, when she faces a problem similar to his. The film is terribly meta like most Allen films are. But it works wonderfully because the setting is so beautiful with Allen in fine form. It’s Woody Allen having a crack at himself when Hemingway looks at Adriana, then at Picasso and says, “You can see why he’s lost all objectivity“. As much as it is Gil’s utopia and as much as the world he imagines was once real, the word that we are looking for here is – weltschmerz. It really should have been titled Weltschmerz in Paris.


While Paris is revered and celebrated in Woody Allen’s latest, it is just one of the several problems for Annie(Kristen Wiig) as she prepares to take Helen(a lovely Rose Byrne playing a not so lovely character) head on in their best friend Lillian’s wedding planning. As tolerant(actually I love them) as I am for romantic comedies and chick flicks, Bridesmaids comes with the added tag of Judd Apatow. He is only the producer here but his films usually have the familial sensibilities that I immensely identify with and it is no different here. It’s when Helen presents Lillian a trip to her dream venue Paris, as wedding gift – the knowledge of which was provided only by Annie – that Annie reaches breaking point and completely loses it.

The setting is predictably chick-flicky here(you need anything beyond the title for that?) – wedding, friends and best friends, protagonist with the job and money problems, protagonist with the awesome asshole vs not-so-awesome deserving gentleman relationship problem, ego clashes and the works. It’s not like if people could just talk it through that we wouldn’t have a plot or a film anymore. These are real problems that Annie faces as she finds herself penniless and friendless with new found high profile acquaintances and a big wedding looming large in front of her. But the writing here is much too refreshingly raw and gross in places that you leave the imaginary world of chick flicks and enter something more real but with the same people. The whole Annie and Rhodes arc is beautifully done, something a film like Bad Teacher missed with  its Jason Segel character. Honesty is what solves the problems of several people in Bridesmaids and that’s what comes through from the writing as well – “Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?”


10 thoughts on “On Midnight in Paris & Bridesmaids

  1. I didn’t read the bit about Midnight in Paris coz that’s on my list to watch. I watched Bridesmaids – while it was funny and all that, I have to admit I was grossed out and in some parts, quite hurt by the insensitivity. Be it laughing at fat people ( I know it’s been done before – there’s a new insensitivity to this, I felt, or maybe it was just me and my phases) or the whole need to be married and have a boyfriend – I know these are oft repeated cliches in chick flicks and I enjoy them immensely coz I don’t need to worry, but something about this movie hurt a lot, so much that I thought I should write something about it.

    I saw this 3 months ago and should probably watch it again with AB ( who I guarantee will put this on this best ever list) and pinpoint what exactly went wrong for me with this movie. Judd Apatow, apart, that is.


  2. As you know, I loved Midnight in Paris! It’s amazing to me that you can bring back specific dialogues from movies to insert into your post (not that the latter is affected by the former or anything, but it really supports what you have to say so well!).

    Yet to see Bridesmaids. Waiting for one really, cranky, pms day for that :) Surprised that you’ve seen it before me. Bataaya hi nahi!


  3. I had heard/read nothing about Midnight in Paris when I decided to watch it and the movie blew me away! The sentiment of nostalgia and connecting to an idyllic period from history resonated very well with me. Yet to watch Bridesmaids, was debating it but will do after reading this :)


  4. I was hoping for a longer review of Midnight In Paris. I think Woody Allen has again become the Allen of Crimes & Misdemeanors or Husbands & wives. The other movies Whatever Works and You will meet a tall dark stranger were not that good.


  5. My experience with “midnight in Paris” was very similar. I actually walked into the movie, to kill time before the show for “transformers” began! I was glad I missed transformers that day!…

    I have been heavily debating on watching bridesmaids…. Might give it a try after reading this review by the GRCA member! :-)


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s